![]() ![]() So, we obviously have a KGF and Vikram-like slo-mo gun scene. The director relies heavily on the audience’s penchant for violence and fascination for BIG guns. In one scene, when a man’s chopped head is shown, you can tell that it is a dummy. Some of the computer graphics also are poorly executed. One can easily make out that the actor is mouthing lines in Hindi. Gul Panag’s poor lip sync also ruins the pleasure of watching the movie. Priya, who shifted to the Narcotics Control Bureau in Mumbai, also becomes part of this story. After Nagarjuna takes up ‘freelance’ work, the enemies he came across in the past in Dubai somehow conveniently become part of the story happening in Ooty, India. There is no compelling drama, which is made worse by a contrived screenplay. However, it is the weak and predictable story that makes the movie a snooze fest. And both Nagarjuna and Sonal nail these sequences. Whether Vikram succeeds in his mission to protect Anita and Anu forms the rest of the story. Anu’s father raised Vikram, so he takes it upon himself to protect them from the impending dangers from their business rivals. A retired Vikram now takes up an assignment to protect Anita Nair (Anikha Surendran) and her mother Anu Nair (Gul Panag). However, the promising start does not last long. The director mostly succeeds in not succumbing to the tropes of mainstream films. After situations force Vikram to retire, his anger, triggered by past trauma, ruins his relationship with Priya and they break up.Īlthough there is a ‘romantic’ song right at the beginning immediately after an action sequence, which ruins the initial excitement, most of the scenes in the first half come across as relatively fresh. The duo eliminates criminals with perfect headshots – like it’s a video game. ![]() Priya (Sonal Chauhan) is his colleague and girlfriend. His daily work involves gunning down criminals. Nagarjuna plays Vikram, an Interpol officer who is an excellent marksman. ![]()
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